Greek Texts & Translations

Homer does not mention giants at all in the Iliad
, but in the Odyssey
he relates how the Laestrygones attacked the ships of Odysseus in the likeness not of men but of giants, ^note and he makes also the king of the Phaeacians say that the Phaeacians are near to the gods like the Cyclopes and the race of giants. ^note In these places then he indicates that the giants are mortal, and not of divine race, and his words in the following passage are plainer still:— Who once was king among the haughty giants;
But he destroyed the infatuate folk, and was destroyed himself.
Hom. Od. 7.59-60“Folk” in the poetry of Homer means the common people.

That the giants had serpents for feet is an absurd tale, as many pieces of evidence show, especially the following incident. The Syrian river Orontes does not flow its whole course to the sea on a level, but meets a precipitous ridge with a slope away from it. The Roman emperor ^note wished ships to sail up the river from the sea to Antioch. So with much labour and expense he dug a channel suitable for ships to sail up, and turned the course of the river into this.

But when the old bed had dried up, an earthenware coffin more than eleven cubits long was found in it, and the corpse was proportionately large, and human in all parts of its body. This corpse the god in Clarus, when the Syrians came to his oracle there, declared to be Orontes, and that he was of Indian race. If it was by warming the earth of old when it was still wet and saturated with moisture that the sun made the first men, what other land is likely to have raised men either before India or of greater size, seeing that even to-day it still breeds beasts monstrous in their weird appearance and monstrous in size?

Some ten stades distant from the place named Depth is what is called Basilis. The founder of it was Cypselus, who gave his daughter in marriage to Cresphontes, the son of Aristomachus. To-day Basilis is in ruins, among which remains a sanctuary of Eleusinian Demeter. Going on from here you will cross the Alpheius again and reach Thocnia, which is named after Thocnus, the son of Lycaon, and to-day is altogether uninhabited. Thocnus was said to have built the city on the hill. The river Aminius, flowing by the hill, falls into the Helisson, and not far away the Helisson falls into the Alpheius.

The river Helisson divides Megalopolis just as Cnidus and Mitylene are cut in two by their straits, and in the north section, on the right as one looks down the river, the townsfolk have made their market-place. In it is an enclosure of stones and a sanctuary of Lycaean Zeus, with no entrance into it. The things inside, however, can be seen —altars of the god, two tables, two eagles, and an image of Pan made of stone.

His surname is Sinoeis, and they say that Pan was so surnamed after a nymph Sinoe, who with others of the nymphs nursed him on her own account. There is before this enclosure a bronze image of Apollo worth seeing, in height twelve feet, brought from Phigalia as a contribution to the adornment of Megalopolis.

The place where the image was originally set up by the Phigalians is named Bassae. The surname of the god has followed him from Phigalia, but why he received the name of Helper will be set forth in my account of Phigalia. On the right of the Apollo is a small image of the Mother of the Gods, but of the temple there remains nothing save the pillars.

Before the temple of the Mother is no statue, but I found still to be seen the pedestals on which statues once stood. An inscription in elegiacs on one of the pedestals says that the statue was that of Diophanes, the son of Diaeus, the man who first united the whole Peloponnesus into what was named the Achaean League.

The portico of the marketplace, called the Philippeium, was not made by Philip, the son of Amyntas, but as a compliment to him the Megalopolitans gave his name to the building. Near it I found a temple of Hermes Acacesius in ruins, with nothing remaining except a tortoise of stone. Adjoining this Philippeium is another portico, smaller in size, where stand the government offices of Megalopolis, six rooms in number. In one of them is an image of Ephesian Artemis, and in another a bronze Pan, surnamed Scoleitas, one cubit high.